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From Darkroom to Darktable: Processing the "November Liferafts"

By Terry Ross March 06, 2026 0 comments

If there is one thing I’ve learned from 16 years in the Coast Guard, it’s that the right tools make the difference between a successful mission and a struggle. That philosophy has followed me into my digital darkroom.

Recently, I’ve been undergoing a major "migration" in my photography workflow. For years, AfterShot Pro 3 was my go-to for managing my 9-terabyte photo archive. But as a Linux user, I’m always looking for tools that offer more control and respect the open-source ethos. That search led me to darktable.

The Transition: Why darktable?

Screenshot of photo being edited in darktable

Moving a library as large as mine onto my desktop (affectionately named Oberon) hasn't been a small task. However, the power of darktable’s non-destructive editing and its incredible masking tools allowed me to bring out details in my older Olympus E-system files that I simply couldn't reach before.

The precision of the "filmic RGB" module in darktable has changed how I look at dynamic range—especially when dealing with the high-contrast orange of maritime gear against a moody sky.

Spotlight: Liferafts on a Cloudy November Night

One of the first pieces to come out of this new workflow is our [Liferafts on a Cloudy November Night Metal Print. 

 

I came across these three life rafts at the Corpus Christi Trade Center. They were designed for the freezing, unforgiving North Atlantic, yet here they were, soaking up the Texas humidity. Processing this shot required a delicate touch; I wanted the "International Orange" of the rafts to pop without losing the subtle textures in the heavy November cloud cover.

By using darktable on my Linux setup, I was able to export a file with the color depth necessary for a high-gloss metal print. When you print on aluminum, the highlights actually reflect through the ink, giving the clouds a luminescent quality that feels three-dimensional.

The Technical Side of The Wits End

Whether I’m tinkering with an Atari emulator or fine-tuning a RAW image in Linux, I believe that the "how" matters just as much as the "what." Every print in our store is a product of that technical curiosity.

Check out the final result of the "November Liferafts" print here:

Liferafts on a Cloudy November Night


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